An Aesthetics of Exclusion: Konstantin Vaginov's Kozlinaia pesn'

Abstract

This thesis renegotiates the position of Konstantin Vaginov’s novel Kozlinaia pesn΄ within the meta-text of post-Revolutionary culture, challenging the long accepted view that Vaginov maps out a programme of exclusion from Bolshevik reality in an attempt to preserve the classical ideals of pre-Revolutionary Russian culture from ruin. Vaginov’s ambivalent treatment of such trends in intellectual culture as the nature of the life culture dualism, the tenability of culture a priori and framings of rebirth in projections of cultural history are dialogised with the theories of Viacheslav Ivanov, Viktor Shklovskii, Roman Iakobson, Mikhail Bakhtin and Lev Pumpianskii.
In addition, critical reception centred around the novel’s status as roman-à-clef is also challenged, particularly the insistence that the novel accurately depicts the reality of intellectual life during the Soviet 1920s and the consequences of the struggle for hegemony over culture.
As an alternative to such readings, the world-view of an all encompassing life is posited as central to Vaginov’s aesthetics, marked by the tendencies to lay low and simultaneously affirm and negate any stance taken in the struggle for hegemony over culture.