Cookies

We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.


Durham e-Theses
You are in:

Italian Cultural Representation of the Eastern Adriatic: A Postcolonial Perspective
(1910 – 1943)

DALMAZZO, PIETRO (2024) Italian Cultural Representation of the Eastern Adriatic: A Postcolonial Perspective
(1910 – 1943).
Doctoral thesis, Durham University.

Full text not available from this repository.
Author-imposed embargo until 03 September 2025.

Abstract

This work aims to scrutinize the Italian cultural discourse concerning the Adriatic region
during a period marked by rapid Italian expansion in that geographical area. The specified time-frame
under consideration spans from 1910 to 1943, encapsulating pivotal Italian political endeavours
aimed at establishing an empire in the Balkans. The thesis examines a diverse array of primary
sources, including travelogues, autobiographies, novels and materials from colonial fairs. It analyses
how the region was discursively constructed in Italian culture, and how the relationship between the
two shores of the Adriatic was imagined and portrayed in Italian sources. The analysis is conducted
through a thalassological perspective focusing on the Adriatic, employing a range of postcolonial
concepts and methodologies in the study of primary sources. The thesis posits that Italians employed
an imperialistic lens when characterizing the eastern Adriatic region. This involved articulating an
unequal relationship between themselves, perceived as part of a Metropolitan collective, and the non-
Italian inhabitants of the area, who were depicted as subalterns. The thesis underscores how these
representations substantiated a discourse regarding Italian identity and expansionism by crafting a
framework of images and narratives that endorsed the Italian occupation of the region. Furthermore,
it investigates the role played by the Fascist regime in shaping and disseminating this Italian discourse
on the Adriatic, highlighting how Fascism surfaces from this analysis, as a productive ideology, which
deeply influenced this discourse.

Item Type:Thesis (Doctoral)
Award:Doctor of Philosophy
Keywords:Fascism, Adriatic, Italian imperialism, cultural representations
Faculty and Department:Faculty of Arts and Humanities > Modern Languages and Cultures, School of
Thesis Date:2024
Copyright:Copyright of this thesis is held by the author
Deposited On:03 Sep 2024 13:44

Social bookmarking: del.icio.usConnoteaBibSonomyCiteULikeFacebookTwitter