Cookies

We use cookies to ensure that we give you the best experience on our website. By continuing to browse this repository, you give consent for essential cookies to be used. You can read more about our Privacy and Cookie Policy.


Durham e-Theses
You are in:

Music for controlled bodies: bodily integrity as a compositional theme

KING, ROBERT,GRAHAM (2025) Music for controlled bodies: bodily integrity as a compositional theme. Doctoral thesis, Durham University.

[img]
Preview
PDF - Accepted Version
Available under License Creative Commons Attribution 3.0 (CC BY).

28Mb

Abstract

How can the pressing contemporary theme of bodily integrity be mapped to new music? A portfolio of pieces and this accompanying commentary are presented in answer to this research question. Each piece interrogates aspects of bodily integrity, and its potential for new musical stimulus. Given the role of the artist in reflecting on societal issues, an awareness of such contemporary themes and their implications is paramount.

This commentary analyses the portfolio of original compositions alongside works from other composers, using relevant taxonomies to provide a theoretical justification for the techniques employed. The results of these analyses demonstrate how compositions can carry traces of the central theme through the manipulation of compositional elements and techniques. The commentary concludes with reflections on future directions that compositions in this vein could take

Item Type:Thesis (Doctoral)
Award:Doctor of Philosophy
Keywords:Music; composition; bodily integrity; bodily autonomy; experimental composition; contemporary composition; graphic scores; graphic notation; algorithmic composition; experimental music
Faculty and Department:Faculty of Arts and Humanities > Music, Department of
Thesis Date:2025
Copyright:Copyright of this thesis is held by the author
Deposited On:28 Mar 2025 10:56

Social bookmarking: del.icio.usConnoteaBibSonomyCiteULikeFacebookTwitter